I chose to look at two films that had strong links to the first ideas that our group had, because we are basing our film around a High School rom-com, the first film I chose to analyse was the teen movie, 'Mean Girls'.
The art of the title also unveils much about the film itself. The boldness of the word 'Mean' draws our eyes immediately to it, making it stand out and appear bigger. The world 'girls' appears to be quite feminine and also a considerably amount smaller than the word 'Mean'. This connotes that being 'Mean' makes you stand out, tougher and a lot bigger than just 'girls', creating a binary opposition between 'mean' and 'girls'.
Like all teenage rom-com's the main character is usually someone who is average looking, quite unpopular and a bit of an outcast from the rest of their school. In this film, the main character Cady is outcasted as she is from Africa and also had been home schooled up until that point, her costume which is a bland shirt which is baggy and unflattering also makes her stand out from the vain and beautiful people at the High School. This seems a familiar theme amongst teenage rom-com's. Also, within every teenage rom-com there are the dominant characters who are introduced to remind the main characters that they are lonely and don't fit in. However, in contrast the main character always ends up befriending similar people also seen as 'freaks' or 'outcasts'. Cady strikes up a brief conversation with two people in the opening sequence, and as they are introduced together and after the main character, it could be that they are going to be positioned to become close with her.
I identified brief relevance for the narrative theory of 'Levi Strauss' theory of Binary Opposition' during the opening sequence to Mean Girls, Cady is saying goodbye to her parents before entering the High School, at this point the three characters (including Cady) that we are introduced to are in a positive mood and feeling excited. However, when Cady enters the school and begins her first day pushes her into a small crisis where she realises that High School isn't how she expected it to be, as she feels shut out and alone this gives the binary opposition between the typical High School teenagers and people who aren't used to the culture. This is shown by the high angle over the shoulder shot to Cady after being shooed by the girl - this shows she is feeling belittled by the situation and also how she sits in the toilet cubicle to eat lunch, and although without connotation it is easy to see that she is isolated, because she is in a small space it seems as if that is how small she feels in comparison to the rest of the school.
In this teenage rom-com, there is a voice over from the main character. Perhaps this is because, as someone who has always been typecast as a loner, she feels the need to introduce herself as she is a 'nobody' compared to 'the popular people' who have someone else introduce them to the film. Cady's voice over gives exposition to where we are in place and time, and also gives background to the past as well. This tells the audience what they need to know, in this case to make relevance to the genre, it is vital that we know Cady has just moved to a completely new country and hasn't lived a typical teen life up until now, and because of the tone she uses in her voice and also by the quote "I had a great life, but then my Mom got offered a 10 year at North Western University. So it was Goodbye Africa and Hello High School" shows how she has negative feelings towards going to a High School, like the majority of leading characters in teenage rom-coms. The non-diegetic music used in the opening scene also plays a key part to making the genre work. The song that plays in the introductory seconds is a song that sounds like it is from an African culture as there is the use of more natural sounds, this song is played up until Cady crosses the road to get to the High School, where it abruptly stops. This connotes that High School is nothing like she is used to and indicates where the drama is about to begin in the film.
Another opening to a film that I choose to analyse is '10 Things I Hate About You'.
One of the main characters is introduced quickly in the credit sequence, and although not shown first it is clear to see that she is a key character. 'Kat' breaks into the scene in her 'out of fashion' car and playing her loud and indie/rock music, creating 'Levi Strauss' theory of Binary Opposition' between the girls in the clean and new convertible made up with make up and expensive clothes compared to Kat listening to her diegetic loud music with her run down car, tomboyish clothing and fresh face. Because all of the other girls are staring at Kat also shows the audience that Kat doesn't fit in because she is too different to them.
Similar to the main character in Mean Girls, who also didn't wear figure flattering clothing makes Kat the 'out cast' character in the film. Which enforces the theme that the main character in teenage rom-coms are always scene as being out of place, but the audience are in the position to favour the out cast people. Following on from themes that are used within rom-coms, in the opening sequence as well as being introduced to the main characters, the credit sequence also allows the audience to see other stereotypes that are common in teenage films - such as the 'pretty' and 'popular' people.
The way lighting and sound represents Kat shows her to be a character who doesn't care about the world or about fitting in, and likes to think of herself as a 'individualist' who doesn't need to conform. The lighting that is used within the beginning enforces this, the lighting seems to create a shadow and darker sense around Kat, like the scene where she's driving the car. The girls in the other car appear to be bright and colourful as the light is shining upon them compared to Kat whom is sat in the shadows, which creates a binary opposition between both of the groups.
The way sounds is used in the opening minute tells us a lot about Kat as a character. The girls in the convertible are listening to a diegetic upbeat and mainstream song playing on their radio, the same song that is played whilst the studios and directors are being introduced. When Kat comes into the scene, her diegetic and loud individualist music overpowers the group of girls. The song choice itself also reveals a lot about Kat and the person she is, the first lyrics "I don't give a damn 'bout my bad reputation" connote that this is how Kat is, revealing that she has a rebellish side to her.
The way sounds is used in the opening minute tells us a lot about Kat as a character. The girls in the convertible are listening to a diegetic upbeat and mainstream song playing on their radio, the same song that is played whilst the studios and directors are being introduced. When Kat comes into the scene, her diegetic and loud individualist music overpowers the group of girls. The song choice itself also reveals a lot about Kat and the person she is, the first lyrics "I don't give a damn 'bout my bad reputation" connote that this is how Kat is, revealing that she has a rebellish side to her.
Unlike Mean Girls, the art of the titles in this opening sequence also reveals a lot about the genre of the film. The titles are much like a teenage scribble used in a note pad or a doodle book. This says alot about the genre because it is connoting that it is a teen movie aimed at teenagers. It is clear that key elements in the opening sequence establishes 10 Things I Hate About You to be a typical High School rom-com. A final point that joins in the comedy part to the film, is the 'Teacher' Ms. Perky who hates her job and is far more interested in writing. This brings the ironic factor to the film as she is the teacher who hates the children.
From the analysis of the two teenage High School rom-coms, there are obvious themes amongst both than will be vital to making our genre effective when we are planning and filming the opening sequence. A lot of links to make the introduction work became clear and has influenced many ideas that our group is starting to have.
This all looks really good, there is evidence of excellent research under-way. For your genre openings analysis I might want to consider the following:
ReplyDeleteWhether you need to analyse the actual titles themselves in Mean Girls
Whether the opening shot of 10 things really is exposition - what do we find out about the narrative or characters?
I would say that the ripping of the prom is closer to exposition. The prom is a classic convention of the genre but Kate refuses to accept these conventions which reveals important information about her character and the likelihood of the narrative that follows. However, this disruption to convention might be questioned as it's a genre film from a big studio with quite big stars so some audiences might suspect that the narrative will resolve itself in quite conventional ways.
Looking at this again I feel there could still be improvements. For Mean Girls I would have a screen grab of the titles from the film rather than the pster as it may appear that you're analysing the poster rather than the film. I'm not sure you've fully justified the use of enigma code; it would be better to use binary opposition as your narrative theory and link this to the fact that she is clearly an outcast from the majority of the other students at the school. Is there always a voice over in rom-coms?
ReplyDeleteFor 10 Things you might want to justify your comments why ripping down the poster might suggest that Kat is likely to have a transformation and end up finding love rather than standing against convention as she does at the start of the film. Also your comments on lighting and sound are a little vague.